Notes taken from The Norton Anthology of English Literature (7) Geoffrey Chaucer
- Notes taken from The Norton Anthology of English Literature (7) Geoffrey Chaucer
- Geoffrey Chaucer:
- the only classes known in medieval England : the aristocrats and the Commons
- the bridge that connected these two famous classes: middle-class like Chaucer
- Chaucer's father: a well-to-do wine merchant
- his social class : middle-class
- Chaucer's hometown: London
- his boyhood: education as well as being with commoners
- his early teens: as a page of Lionel of Antwerp, a son of the reigning monarch Edward the third
- his relationship to King Edward's family: close association with the Lionel's brother John of Gaunt, their father king Edward, their nephew Richard the second , John's son Henry the fourth
- Richard the second's coronation: 1377
- Henry the fourth accession to the throne: 1399
- his patrons: John of Gaunt and his family
- his wife, Philippa and their children: of higher birth than himself, related to the queen's family, his son Thomas Chaucer and his granddaughter, Alice Chaucer, both important in their own times
- his different stages of life: as a page, a captured soldier, vallectus of Edward the third, his mission to Italy, his journey to France
- his important jobs at court : control of the Customs and Subsidies on Wool for the Port of London, Justice of the Peace and Knight of the Shire -Member of Parliament, Clerk of the King's Works
- his last days: in a rented house in the garden of Westminster Abbey
- Chaucer's literary career
- exact dates for his works: not for certain
- his first work : Roman de la Rose, a translation, and its influence on his works
- about Roman de la Rose : 13th century French poem, the first part an allegory by Guillaume de Lorris, in a dream tells the progress of a youthful love affair , the second part by Jean de Meun, discusses important issues by medieval intellectuals and shows that the young courtier wends his lady (the rose )
- influence of the work on Chaucer : its highly diverse elements , seen in Chaucer's love of variety using the courtly emotionalism of Guillaume and the philosophical often satiric detachment of Jean
- Chaucer's share in the translation of the work: the first 1700 lines, agreement of the scholars
- date of his work on the Roman: 1360's
- his first major work: the Book of the Duchess( 1370),
- the source of the work: a translation of the French poets, Jean Froissart and Guillaume de Machaut, but better than the original works
- occasion of the poem: an elegy for John of Gaunt's first wife
- form of the poem: octosyllabic lines, with imaginative, daring and artistic plan
- his first poetic models: French
- his knowledge of writings in Latin: direct knowledge of the Aeneid and of Ovid , and other classical authors through French translations
- his favorite Latin writer: Boethius, the sixth-century Roman ,
- Boethius's famous work: Consolation of Philosophy,
- influence of consolation of philosophy on the age : influential in the whole Middle Ages because of its nobly stoic doctrine
- Boethius's influence on Chaucer : his philosophical attitude , living wholeheartedly in the world while remaining spiritually detached from it
- his prose translation of the Consolation: during the 70's
- his journey to Italy: 1372
- the previous influences: French and Latin
- Italian influence: Dante, Petrarch, Boccaccio
- origin of House of Fame : The Divine Comedy
- his appreciating the Comedy : because of its austere moral grandeur
- the least influential Italian writer: Petrarch
- the most influential Italian writer: Boccaccio, responsible for Chaucer's finest poems like the Parliament of Fowls
- his influence on The Canterbury Tales: because of its form and the stories
- the work that is an imitation of Boccaccio's Il Filostrto : Troilus and Criseide (1385) Chaucer's second great work: Troilus and Criseide
- the old tripartite division of Chaucer's literary career: French(to 1372), Italian( 1372 - 85 ), English
- his parody of Middle English romances: the Rhyme of Sir Thopas
- similarities of John Gower's Confessio Amantis to the Canterbury Tales and the Legend of Good Women: because of the structure and some similar tales
- his purpose of writing the Legend of Good Women : to oppose the portrait of the unfaithful Criseide with the pictures of nine famous faithful women
- the style of his narratives: having a single formula, and the simple moralistic technique of conventional English poetry,
- his English period: no really English period, no significant role for the English writings of the time
+ نوشته شده در شنبه نهم مرداد ۱۳۹۵ ساعت 10:15 توسط Mohammad Reza Nooshmand
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